I watch a father and son celebrate a goal, and tangibly observe a passing of some bizarre, brilliant torch. And of course I think of Dad.
I tell this story because I know it isn’t unique. I know that, if I ask you to close your eyes and think of the person who taught you what it is to love this silly, arbitrary, pointless game, that person must appear in the reflection of your emotional recall. And they drag with them those special, special memories. I know the lyrics to ‘You’ll Never Walk Alone’, or ‘Sunshine on Leith’ or ‘The Fields of Athenry’ may have an emotional significance to you that is far beyond anything that I could ever understand, and far transcends the limits of concepts like ‘rationality’ and ‘logic’. I think it’s vital and beautiful that we all have these stories, and a picture on the mantelpiece that we can point to and say, ‘you…you made me like this’.
Much less poetic – and perhaps therefore even more ridiculous – is my toxic, love-bomb, til-death-do-us-part relationship with Arsenal Football Club. Whom I unendingly, unrequitedly, unwaveringly love in spite of the fact that I have absolutely zero connection to the club, its geopolitical background or its history. The origin story, which has many times been bastardised and modified and airbrushed in my fragile recall, lies in the hands of a four-year-old whom, thanks-in-kind to his egg-chasing father, was bereft of a club side to support.
And so he landed on the team that harboured a genius name-sake: Henry. Thierry Henry. And everything that has come to pass since this moment, the proverbial highs and lows, have been built on the foundations of this completely capricious decision. But the extremely arbitrary nature of this choice only serves to further emphasise and embolden my hypothesis that football is a vehicle for a deep-seated, emotional, spiritual cross-to-bear that can only be exorcised in the euphoria of Wembley shoot-out wins, or the depression of a spanking at the hands of Brighton and Hove Albion (H).
Because I truly do love the Arsenal.
And the joy that I get at standing in the Clock End with my brother is perhaps the very happiest I ever am. Or ever could be. And, let me tell you, amongst the myriad of complicated, impossible, poignant, unspoken, incomprehensible thoughts and feelings that I have shared with my brother in our lifetimes, in the midst of the almost telepathic connection that we share, I feel so strongly and so lucidly that this indescribable, confusing, football-induced melancholy is absolutely his, too. It’s right there.
I share it with him.
Sometimes as we stand there, I watch a father and son celebrate a goal, and tangibly observe a passing of some bizarre, brilliant torch. An hereditary transposition of an affliction and a gift. And of course I think of Dad. But I also think of the many and varied role models, coaches and friends who teach us what it is to love the game. And of those that are no longer with us.
Perhaps the most important thing is that, it is in these moments that they feel most alive. Quasi-resurrected. Perhaps that community and joy and hate and disappointment and relief and strength is the closest thing I’ll ever have to holding dad’s hand again, or standing in the light of his presence, or the safety in the familiar smell of being pulled close to his leather jacket. The terraces are the only real place in my life where this intensity and strength of feeling can be expressed in an equally intense and strong catharsis.
So much is written about football being an arena in which repressed, maladapted men can finally be overtly emotionally expressive. But I feel there is a truth to the idea that, perhaps unfortunately, there aren’t many areas of our lives in which we can scream into the heavenly abyss about love and admiration and community.
Today, as we stand in the Clock End, we attend the deafening chorale of sixty-thousand voices bellowing the chorus of Louis Dunford’s impossibly stirring ‘The Angel (North London Forever)’. But the only two voices that truly penetrate the borders of my attention are those of my brother and I. And sometimes, I can’t help but think to myself, “God forbid the day that I would ever have to do this without you. I beg that as long as one of our voices is singing this brutal, violent, angellic refrain, please God let the other one join them.”
But the immutable, inescapable truth is that sixty-thousand voices will sing ‘Arsenal ‘til I die’ long after we are both gone, just as they did for decades before we came. We cannot bury the football; the football buries us. Perhaps the chills transmitted across my spinal cord each time I hear Louis promise “my heart will leave you never” are induced by the millions of Angels of North London that bellow the lyric along with us. The fathers, the sons and the daughters.
The beauty, and the tragedy, is that no matter what happens in the real world, this ridiculous, meaningless, beautiful, silly game rumbles on forever. An eternal reminder of the unbearable loneliness of grief, but equally of the impossible joy of the many thousand afternoons we’ve wasted, together, on these terraces.
Fundamentally, I think that’s why I love it.
Because, as long as the fire that they ignited inside of you continues to burn, you cannot help but think, and reflect, and remember, and grieve them.
And as long as we do… mae’n nhw’n yma o hyd (they are still here).